STOP THE FILM · ANTICHRIST, 2009
The Nature Within

Where the most intimate encounter between He and She becomes universal as a cosmic orgasmic explosion of desire, Lars von Trier shows us the nature within, by wo/man becoming tree, and many becoming one.
A gathering of voices in a network of roots, hands and reproduction. “The tree has a strange personality”, She says, and so in this image we see how the tree is no longer a tree, but a rhizomatic network of multiple entryways.
A network without a centre
In botany, a rhizome is characterized by its ability to shoot new roots from its nodes, even after being separated, like ginger or turmeric.
In A Thousand Plateaus from 1980, written by the French philosopher Gilles Deleuze and psychoanalyst Félix Guattari, the rhizome is explained as an image of thought, a concept describing an open and organic understanding of knowledge that can be used as a model of society, in which culture spreads, agglomerates and aggregates in an endless number of directions, rather than growing from A to B.
GILLES DELEUZE & FÉLIX GUATTARI / A THOUSAND PLATEAUS / 1980
Becoming, rather than being
In The Nature Within we sense a becoming, rather than a static being. It is not only the two of them, but the many of them, dissolving into each other, forming a choir of endless voices.
Their bodies intermingle with the spirits of the tree, evoking the ancestors of the forest in a mythical dance creating a sacred and liminal space of transgressing the distinction between man and nature, making it obsolete, as if we are witnessing a ritual of hybridization between every living being that ever were and is ever to become.

FROM FRAME TO ARTWORK
The film moves on.
The image remains.
The frame explored in this essay exists as a limited ARTvonTRIER edition.
VIEW THE EDITION →Essay by Malou Lykke Solfjeld · Co-author Christian Kortegaard Madsen
Reference: Gilles Deleuze & Félix Guattari, A Thousand Plateaus, 1980.
